San Silvestro in La Spezia

La Spezia is very much a working town, not geared for tourists. It isn’t glamourous, but it is very honest.

A typical street in La Spezia

It gave us a chance to glimpse into a “real” Italian city, filled with hard working families. And when San Silvestro (our New Year’s) rolled around, we got to experience it as La Spezians.

After a large feast at the villa, Xan, Lewis, Meghan and I got dressed up went down into the heart of the city to celebrate.

Lewis gets ready for New Year's

The whole city must have been there. There is a large pedestrian concourse through the centre of town and everyone – babies, children, teens, adults, grandparents –  was strolling up and down the streets to celebrate San Silvestro.

The first thing that hit us, almost literally, was the banging of firecrackers. All around us, constantly, unexpectedly, BANG! BANG, BANG, BANG!!! Children and youth were setting off firecrackers everywhere. Under cars, under people’s feet, even on top of the water in a fountain. Parents gave their kids lit firecrackers to throw! And everyone was laughing constantly at everyone jumping.

We learned to look around – if we saw some child rushing away from a corner, we’d rush away too, or risk a deafening explosion. Our collective adrenaline was pumping furiously.

But it wasn’t just firecrackers. People were setting off fireworks everywhere on the street. They were holding lit fireworks as shooting stars poured forth. We were covered in the smell of sulphur.

Pretty soon we got giggly and giddy. Like everyone else on the street, we  jumped whenever something exploded or shot out near us, and laughed.

And then there were the bunny ears. Young men, mostly, were buying and wearing headbands with bunny ears that were lit up in different colours.

Bunny ears on the streets of La Spezia

Bunny ears everywhere. A grand street carnival. There were merry-go-rounds and lights, and everyone eating gelato and crepes with Nutella and cream.

Stages were set up in each of the piazzas and at each there was a different type of band. We walked from piazza to piazza trying to decide where we wanted to be for the big countdown. Did we want to usher in 2012 with the Italian Klezmer band? Or with the outrageously dressed boy band singing a weird kind of gigolo Italian ska? Or with the dueling turntables, mixing oldie goldies, while boys in bunny ears and middle aged parents in ski jackets did a conga-line?

We decided on the flamboyant guys with a hodgepodge of retro costume bits — cape, frilly white shirt, long styled hair, red cummerbund, Paul Revere jacket, zebra pants. They were singing nothing that we recognized, loudly off key. We bought a bottle of Prosecco and four glasses – everyone on the street had bottles – and counted down with everyone else in La Spezia. As the new year broke, everyone around us was singing in Italian (maybe the national anthem?), and we mouthed along, made noise, drank our bubbly and agreed that it was definitely the most unique New Year’s we had ever had.

Lewis, Amanda, Xan & Meghan on the streets of La Spezia. Happy San Silvestro!

Author: Amanda West Lewis

AMANDA WEST LEWIS has built a life filled with words on the page and on the stage, combining careers as a writer, theatre director and calligrapher. Her new book, The Pact, (Red Deer Press) was released in the fall of 2016. It has been listed on the 2017 USBBY OUTSTANDING INTERNATIONAL BOOKS LIST; selected for the 2017 ILA YOUNG ADULTS’ READERS CHOICES LIST; Nominated for 2017 SNOW WILLOW AWARD; and listed in the CANADIAN CHILDREN’S BOOK CENTRE BEST BOOKS FOR KIDS & TEENS, Spring 2017. SEPTEMBER 17: A NOVEL was nominated for the Silver Birch Award, the Red Cedar Award, and the Violet Downie IODE Award. Amanda has an MFA in Creative Writing for Children and Young Adults from Vermont College of Fine Arts. In her theatre career, Amanda is the founder of The Ottawa Children’s Theatre, where she teaches and directs children. She has developed specialized drama and literacy programs for youth at risk, and for children with autism spectrum disorder. She has a Certificate in Theatre for Young Audiences with Complex Difficulties from Rose Bruford College, England. In 2015, Amanda co-produced the hit play “Up to Low” is based on the book by Brian Doyle. As a professional calligrapher and book artist, Amanda is passionate about the history of writing and has taught calligraphy courses to students of all ages. She studied with Hermann Zapf, Mark Van Stone and Nancy Culmone among many others. Amanda lives with her husband, writer Tim Wynne-Jones, in the woods in Eastern Ontario. They have three wonderful grown children. Find out more on her website at http://www.amandawestlewis.com/

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