Synchronicity at the V & A

We’ll allow the fates to decide what we see, to allow our experiences to be a series of synchronous events.

On our last day in London, we decide that what we want more than anything is a dose of city life. We realize with a shock that we haven’t been to the Victoria & Albert Museum since our first trip to London in 1976. We’ve changed a lot since then, and so has the V & A.

The Victoria and Albert Museum (photo from website)

The V & A is a learning museum, originally dedicated to improving British industry by educating designers, manufacturers and consumers in art and science. That’s an ethos that still runs through the museum’s collection of over 2 million artifacts. One of the 10 largest museums in the world, the V & A is a constant source of inspiration. It’s a museum that you can spend a lifetime revisiting. This is the first of what I hope will be many revisits.

We don’t have a lot of time, so we decide not to plan. We’ll allow the fates to decide what we see, to allow our experiences to be a series of synchronous events. (I’ve just looked up the word synchronous and found that one of its meanings has to do with Astronomy: “making or denoting an orbit around the earth or another celestial body in which one revolution is completed in the period taken for the body to rotate about its axis.” This is a perfect metaphor. It takes time for an experience to turn and manifest itself within my thoughts. In the orbit, I can see the experience from all sides. But I digress…)

In the vast and somewhat overwhelming V & A, it seemed that with each corner I turned, with each new room I entered, I saw an object or a piece of art that felt like it was put there just for me. Something that reminded me of what I care about, about what matters to me. Something that showed me facets of myself and helped me remember and recognize the “person I take myself to be.”

Original Music and the Mirror score

We started our V & A ramble at the show “Re:Imagining Musicals.” Among the trove of records, playbills, sets, costumes, and curios, I saw an original handwritten score for “The Music and the Mirror,” from A Chorus Line, a musical that I saw in its first Broadway production. As with all aspiring actors, that song, in particular, was the anthem I sang as I headed off to theatre school. The manuscript was complete with changes made by both the composer and lyricist (Yes, the changed line “Let me wake up…” is better than “Let me awake…”) I was off on my journey.

Musicals segued into the museum’s theatre and performance collection. Sir Laurence Olivier’s iconic costume for Henry V is here, beside Vivien Leigh’s Cleopatra. Fred Astaire’s tails for Top Hat keep company with Charlie Chaplin’s tramp hat and cane.

Costumes worn by Sir Laurence Olivier in Henry V and Vivien Leigh in Cleopatra
Costume worn by Fred Astaire in Top Hat

Full of emotion, with songs in my heart, I do a soft shoe out of the exhibit into the next room ––a collection of paintings donated by Constantine Alexander Ionides –– and come face to face with “The Day Dream,” a painting by Dante Gabriel Rossetti. When I was in my twenties, I went through a huge Pre-Raphaelite phase, and this was a favourite.

The Day Dream, by Dante Gabrielle Rossetti, at the V & A

Rossetti was also a poet and often calligraphed a verse on the frame of his paintings. The poem on The Day Dream ends with:

She dreams; till now on her forgotten book

Drops the forgotten blossom from her hand.

Dante Gabrielle Rossetti

A young woman is quietly sketching the painting. My heart aches with love for her youth, and for her devotion to art. I am that dreamer again.

I meander. There is so much to see but I don’t want to choose. On this, our last day in London, I want to be surprised. And so I am. When I stumble upon the Cast Court, I almost collapse. There is a full-size plaster cast of the Trajan column, commissioned by Napoleon. I’m knocked sideways by memory.

Cast reproduction of the Trajan Column (in two parts)

In 1990, I travelled to Rome to study Roman lettering. The lettering on the Trajan column is the pinnacle for anyone’s study of the form. Completed in 114 CE, these letters are considered the perfection of letter design and creation. When I was in Rome, we climbed scaffolding to get up close. The column was being restored, and we washed the inscription lovingly before making rubbings to take home. It was an act of devotion.

Lettering on the Trajan Column, originally carved 114 CE (reproduction)

Seeing it again brought back all of the passion I felt at the time. It was as though the person who I used to be walked into the room to hold me, remind me. My heart aches with love for that young woman, and her devotion to art, too.

And so somehow, the afternoon at the V & A has become a metaphor for everything I had hoped the trip would be. It’s been a time to be with friends and family, and a time to discover new places. But importantly, it’s been a time to reflect on where I’ve been, where I am, and where I’m going. It’s been a liminal space, a transitional moment, where I have been turning in my own revolution, while revolving around the themes in my life.

I don’t know what is coming next. But I am ready to find out.

We say goodbye to the city, head back to the Southbank and home.

This moment

The Southbank is my heart’s connection to London

You might be heading to Royal Festival Hall, The National Theatre, The British Film Institute, Foyles Bookstore, the booksellers under the bridge, the Oxo Craft artisan studios, The Globe Theatre or the Tate Modern. Or perhaps all of them. You stroll with families, tourists, lovers, skateboarders, school children, people selling The Big Issue, savvy City workers, and people for whom the arts are essential. Below you ferries, barges and various boats navigate the tides.

The last time we were on the Southbank was December 2019. We walked in the frosty, winter night, picking up goodies in the Christmas Market, sipping hot mulled wine. It was festive, all twinkle and lights.

Little did we know how the world would change three months later.

I hadn’t realized how deeply I had missed this world and how a small part of me, the part that locked itself up for months and only navigated the world through a Zoom screen, thought it was gone forever. The world had shrunk to a tiny safe place, the island of our house, and my imagination had shrunk with it.

Now, in 2023, as we left Waterloo Station I started to cry. There were people. Everywhere. All of the same cast of characters I left here over three years ago. It is all still here. The world had stopped but started again.

I was overwhelmed with the joy of being there. Sitting over a bowl of spicy Ramen soup at Wagamamas seemed magical, impossible. Walking across Waterloo Bridge, twilight lights reflecting in the incoming tide, was like walking into one of humanity’s great stories. This is what humans are capable of. For all of the good and bad. This is inspiring.

Crossing Waterloo Bridge

We wound our way through Covent Garden and Soho toward the Garrick Theatre, built in 1899. This, too, seemed extraordinary. It’s something that used to be normal, commonplace even, yet now feels like a privilege and delight.

At the Garrick Theatre

At the Garrick, we saw the remarkable Orlando, a moving and important adaptation of Virginia Woolf’s novel. A play about London over four centuries, about gender, about society, about desire, hope, despair, and love.

At the end of the play, Orlando is asked what she loves. It is a hard question for her to answer, but she finally answers:

“This! … I love this place –– this … city… This beautiful, glittering moment, which falls out of the sky like a steel-blue feather! Oh, watch it as it falls –– watch it turning and twisting like a slow-falling arrow –– an arrow that cleaves the air –– so beautifully!”

from Orlando, adapted by Neil Bartlett

This. I love this moment.

Codebreaking and a sense of awe.

It’s said that the codebreakers of Bletchley shortened the war by two years.

Bletchley Park. It is the stuff of legends. The codebreaking headquarters that changed the course of the Second World War. A place so secret that husbands and wives didn’t know of each other’s involvement. A place of mystery and of tremendous excitement. A place where imagination and scientific minds met to solve life and death problems.

The Mansion

The British Government bought the Bletchley Park estate in Buckinghamshire in 1939 to house the Government Code and Cypher School (Actually, Admiral Hugh Sinclair, head of the Secret Intelligence Service, seems to have bought it privately to get the whole thing running –– or perhaps because he saw a good real estate deal. But that’s another story…) Initially, a small group of people, chosen for their skills with languages and numbers, were hired to work there. They were told to sign the Official Secrets Act before they were given any information. They had no idea what they were hired to do.

There were 185 people working at Bletchley in 1939. By 1945, there were almost 9,000. Three quarters of those people were women. Yet the existence of Bletchley remained a secret until 1974. Even to this day, people who worked there won’t tell you what they did.

Now, it’s a heritage national museum. Exhibits lead you through the daily processes from message reception to codebreaking and translation. Messages weren’t intercepted here – it was far too dangerous to have a radio station at Bletchley. But a team of thousands of couriers arrived day and night at the gates, bringing morse code radio messages that had been intercepted by operators throughout the country. In fact, our tour guide’s father had been one of those bicycle couriers, delivering coded messages to Bletchley.

Tim at the main gate where couriers arrived.

After the Bletchley codebreakers and translators received the message and decoded it, they needed to re-package it to make it seem as though it came from British spies. This way, the Germans wouldn’t find out about Bletchley. In fact, few people in the British government knew. It was this level of secrecy that made it a success. Something almost impossible to imagine in the age of Twitter.

Headquarters

We were shown how the German Enigma machines worked to encode their messages, and how the people at Bletchley went about decoding them. By May 1945, they’d broken 21,971 Enigma messages! That was only possible because Alan Turing and Gordon Welchman designed the Bombe machine to speed things up. It ticks and whirs in Hut 11A. The Colossus, the world’s first large-scale electronic digital computer, was also invented and built at Bletchley.

The Bombe Machine

Tim and I have done our fair share of research into WW2, but our visit to Bletchley brought our reading into reality. It’s hard not to be moved and impressed by the scale and vision of this operation. It is a place filled with personal stories and with triumphs of dedication. People knew that they were saving lives, and they threw themselves into it, working night and day for five long years. It’s a story of human ingenuity that led us to a feeling of awe.

“The work here at Bletchley Park … was utterly fundamental to the survival of Britain. I’m not actually sure that I can think of very many other places where I could say something as unequivocal as that. This is sacred ground.”

Richard Holmes, Military Historian

Rambling Along

It’s a pace we’re perfectly happy to adopt.

We’re in Stony Stratford for a couple of days to visit family and ramble about. It’s a village outside of Milton Keynes in Buckinghamshire that used to be an important stopping off point for coaches travelling between London and northern England. Stony Stratford was, we’re told, primarily a high street of inns. It has some fabulous history to it, perhaps most excitingly as the place from which Richard III abducted one of the two young princes, the uncrowned Edward V, at the Rose and Crown Inn in 1483. Although the Rose and Crown is no longer an inn, several others remain ­–– The Cock, The Bull (from which we apparently get the phrase Cock and Bull) and The Old George.

Tim in front of the former Rose & Crown

Behind the high street lies the River Ouse, with lovely, twisting Riverwalks. It’s easy to imagine Ratty’s “bijou riverside residence” tucked here.

The pasture lands beyond the river led us on a path to the nearby hamlet of Passenham, which consists of a Rectory, Manor, former Mill and St. Guthlac’s Church, mentioned in the Anglo-Saxon Chronicles of 921 AD. We’ve been assured by our B & B host Jim that the church is still haunted. “No, really, it IS!” Jim runs the best B & B we’ve ever stayed at. Fabulously comfortable, with lovely big full English breakfasts, Telford House on its own is worth the visit to Stony Stratford. Jim’s been running the B & B for over 40 years, and his enthusiasm is infections. “I love my job!” At 82, he’s an inspiration.

St. Guthlac’s Church and churchyard in Passenham

Time doesn’t exactly stand still here –– we ate a marvellous Indian meal in a converted 17th century chapel, with exquisite, tiled floors (the fabulous Calcutta Basserie.) But time doesn’t move quickly. Our three-hour ramble beside the slow-moving Ouse and across the pasture fields needed to be followed by a pub lunch and a pint of local ale (Razorback) at the 400-year-old Old George.

The dining area has sunk below ground. We sat in the front window and watched people’s ankles.

It’s a pace we’re perfectly happy to adopt.

Time or Tide

Travel is the domain of the imagination, and when you arrive it is as though your imagination has taken concrete shape around you.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time
T.S. Eliot

The miracle of travel is something I don’t want to take as commonplace ever again. It is miraculous. In a relatively short amount of time I have journeyed to another world, a world both foreign and familiar.

Because of the impossibility of travel during the pandemic, it feels as though I have slipped into a place that only existed in my imagination for the past three years. Travel is the domain of the imagination, and when you arrive it is as though your imagination has taken concrete shape around you. I’ve read enough quantum theory this year to know that this is probably true, but this is the first time it feels true.

What I’ve found in this new world, whether it has sprung from my imagination or not, is that we have been on parallel paths for these past three years. We share commonalities of our experiences in a way that we’ve never done before. Different sides of the planet, with different political forces, yet we’ve been experiencing the same trauma. It’s made me feel closer than ever with family and friends as we share our experiences, our losses, our scars, our small victories. Our histories, which previously had been different, are now the same.

No doubt it is a unique moment. This will pass. But I don’t want to ever take for granted the good fortune that has allowed me to be here, experiencing the rawness of the pandemic experience. The shared humanity on the streets is the legacy of our survival.

And so we celebrate. We arrived in time for a double birthday party for Bryan and me, shared with Robbie Burns. A Burns night complete with Haggis, neeps and tatties, (turnips and potatoes), and Cranachan (an amazing dessert of toasted oats, whipping cream, raspberries and a glug of whisky). We don’t party as if there is no tomorrow, but because there was yesterday.

I feel as though the needle on the record skipped. I am birthday years older. But I’ve picked up the needle and placed it down again carefully, ready to start again.

Nae man can tether time or tide.
Robert Burns

Saying Goodbye to Devon

Yes, all good things must end. Our last week in Salcombe was full of many bittersweet lasts.

We had one last dinner party, with Jan’s nephew and his wife, which included a reprisal of the Umeboshi salad. Jan had to leave the next day, which made all of us sad as we could feel it was the beginning of the end. Jan missed out on our last walk to North Sands beach, which we went on with Tim and Jennifer’s cousin Pip, her husband Steven and wonderful Alfie, the dog (North Sands is the place to walk with dogs, so we were glad to have one with us). When we got back we had a perfect late lunch in the Devon sunshine, the last one out on our picnic table. We had delicious Devon cheeses and made our Salade Nicoise with our last container of hand-picked Salcombe crab. It was exquisite.

Lunch in the Devon sunshine

Tim and I spent most of our last days writing intensively. We wanted to make sure that we were both in solid places with our books, knowing that we were going to have to leave our writing for a while. Jennifer looked after us, cooking us delicious meals while we slaved over hot computers. But we always made sure to head out for walks at the end of the day.

On our very last day we decided to take the afternoon and go to see the gardens at Overbeck’s. Jennifer wanted to treat us to a Devon Cream Tea, and we knew we could get a good one at Overbeck’s.

The entrance to Overbeck's. Otto asked for the sign in his will.

Overbeck’s is a large Edwardian house that sits on 7 acres of terraced gardens high above the Salcombe Estuary. During the First World War, the original owners, having lost their son in the war, offered their home to the Red Cross Society to be used for the treatment of convalescent troops. The “Sharpitor V.A. Hospital” looked after over 1,000 men during the war, 15 of whom ended up marrying local Devon girls. Just like something out of Downton Abbey season 2.

The former "Sharpitor V.A. Hospital", now Overbeck's museum and Youth Hostel

Otto Overbeck took over the property in 1928 and lived there until his death in 1937. Overbeck made his millions on a device called “The Rejuvenator”, a machine that sent small electric currents through your body to restore health. He believed that many ailments could be cured by restoring the body’s electric balance. His “the theory of electric health” was widely read and he marketed the Rejuvenator throughout Europe. He died a bachelor and left his property to the National Trust, on the condition that it have his name on it and that it not be used as a brothel. The gardens and house are open to the public during the day and turned into a Youth Hostel in the evening. Mal and Elspeth said that they used to stay there in the summers because you had the run of the house and gardens for the evening.

The paths through the woods are incredibly calming and meditative.

Tim and Jennifer walking on the paths at Overbeck's

There is a beautiful little sculpture garden, a small maze and acres of unusual trees, shrubs and flowers overlooking stunning views of the Salcombe Estuary.

Looking through the green canopy of Overbeck's to the mouth of the estuary beyond

The huge Magnolia tree, planted over 100 years ago, was in riotous bloom. The banana trees were not yet bearing fruit, but then it was just March.  We were fascinated by unusual cactus trees, birds of paradise and the juxtapositions of colours and textures.

Shaped palm tree in the garden

Jennifer finds an oasis of calm

It was odd to think that we had walked the coastal path just below these gardens two weeks previously. Sharptor is wild and rugged (see “Devon Coastal paths, part 2”, the rocks of Sharp Tor) and sits directly below the Overbeck gardens, which are lush and lovingly maintained.

Looking from behind the house out to the estuary

Half of Overbeck’s house is a museum filled with his collections. The rooms are steeped in the Edwardian fascination with the natural world. There are hundreds of birds eggs catalogued and on display, a practice that was common in his day but contributed to endangering many species in England. There are likewise hundreds of stuffed birds, small mammals, butterflies and shellfish.

Inside Otto Overbeck's house

Overbeck believed in the importance of Natural Science and wanted to make sure that his collections were used for furthering the education of young people. He also had an extensive collection of items about marine history, toys and a Polyphon — a huge Victorian music box.

The Polyphon. The size of a grandfather clock, it turns large, thin metal disks to pluck out a tune.

It is an eccentric and eclectic museum. His love of nature is manifested in his wonderful gardens, lovingly maintained to this day.

A tearoom is connected to the house. We sat outside in the spring sunshine, eating locally made scones with jam and huge dollops of Devon Double Cream, our last chance to enjoy this particular local delicacy. It was peaceful and so very, very English.

Jennifer and Tim and our very English Devon cream tea

After the trip to Overbeck’s there was just enough time for me to have one last late afternoon visit to Snape’s Point. I sat looking out over the harbour, and made sure to leave a small, hidden mark on a bench. Moll assured me that leaving a magic mark will ensure my return. I hope she is right. Being in Devon changed us, and I know we all want that experience again.

The view from my bench at Snape's Point

The Mysteries of Torcross

Travelling without a car has given us very different sense of time and distance. We think nothing of walking for an hour to get somewhere that, back home, we would have hopped into a car to reach. When we decide to take a bus somewhere, it is a thrill. And if it is a double decker bus we race to the top.

The number and variety of beaches within walking distance of Salcombe is amazing. But there are also great beaches and walks that require a bit of extra travel. Jan had a couple of relatives visiting, and we all wanted to take an excursion to Torcross, in Start Bay. Six is too many for most cars, so Tim and I headed out on a local bus and we arranged to rendezvous for a pub lunch.

Getting to Torcross by bus was not difficult, but arriving there felt like stepping into an entirely different world.

The village of Torcross

The village of Torcross is on Slapton Sands in Start Bay, a beautiful long, long pebbly beach, with gently crashing waves.

The long beach at Start Bay

The area is known for its unspoilt beauty, but also for a unique geographical oddity  and an important historical mystery.

Directly beside Slapton Sands is Slapton Ley, the largest freshwater lake in South West England. There is an entirely different ecology on the lake, as freshwater fish inspire different flora and fauna.

Slapton Ley. The largest freshwater lake in South West England

The ocean and the lake are separated by a narrow strip of land, only wide enough for a small road and footpath.  On one side there is crashing surf, on the other, gently paddling swans and ducks.

The strip of land separating Slapton Ley on the right, from Slapton Sands on the left

During WW2, this section of Devon coast was selected as a training ground for Allied Troops to practice for the D-Day invasion. Over 3,000 residents were evacuated and the area was redeveloped to recreate Utah Beach in Normandy. “Exercise Tiger” is credited for the major success of that invasion.

What is less known is that the training runs used live ammunition. As a result, 308 American soldiers were killed here, practicing for the real invasion. Friendly fire. Their numbers were counted among the dead in Normandy until recent information came to light to acknowledge that their deaths actually occurred in England.

The second part of this story took place on April 28, 1944. A convoy of ships was travelling from the Isle of Portland to Slapton Sands as part of the training exercise. They were unexpectedly intercepted by German E-boats, who bombed two Tank Landing Ships, killing 749 American servicemen. They were ill-prepared, as their focus was on practicing the invasion, not on meeting other ships at sea, and many of the servicemen drowned. The story was kept secret, either as a direct cover-up or just “conveniently forgotten” until an amphibious tank was found in the bay in the early 1970s, by Devon resident Ken Small. He spearheaded the creation of a memorial to honour those men killed in Exercise Tiger. In actual fact, many more men died in Devon, in Exercise Tiger, than in the actual D-Day invasion in Normandy.

The tank and memorial sit just beside Slapton Ley.

The tank from Exercise Tiger

On the day that we were on Slapton Sands, there was a light Devon mist and peace in the air. The beach is filled with beautifully polished rocks, which made walking a bit more work than usual but allowed us to find some of the most exquisite rocks we have seen on our journey.

Tim choosing rocks on Slapton Sands

By the time we rendezvoused for lunch, our pockets were weighing us down with rock ballast.

The tourist area of Torcross is right on the beach. There are a few cottages, a post office and a couple of places to eat. It was surprisingly uncluttered and free of tourist marketing, although there was a hefty line up for Salcombe dairy ice cream cones. Local fish is the specialty of the Start Bay Inn, and we sat outside with full plates of crab, monkfish, plaice and cod. There were also sandwiches of exquisite local ham and cheese. And most importantly some very good local ales.

Lunch at the Start Bay Inn

Lunch inspired a further walk. Tim and I headed up over the hill to the next bay and the village of Beesands. Beesands sits on a long shingle beach and has a small collection of cottages and, by the look of it, some good places to eat.

Looking down to the beach at Beesands

Beesands was a prominent fishing village in its day, but in 1979 it was almost wiped out by a violent storm. A large retaining wall was constructed in the late 1980s, separating the cottages from the view of the ocean. The wall clearly saves and protects the tiny village, but detracts from the beauty of the environment.

It was time to head back to catch our bus. We didn’t have enough time to travel any further on the coastal path. We had wanted to push on to the deserted village Hallsands, a village that was completely wiped out by a storm in 1917. Next time.

There are stories around ever corner. But there is never enough time to get to all of the corners.

Jennifer at Torcross

The Spice Trail

Our Salcombe home

Tim, Jennifer, Jan and I all love to cook. We love to eat, to talk about food and laugh around the table together. Early on in our stay here in Salcombe, we developed a wonderful companionship around the making of meals. Someone would usually announce, at some point in the morning, “I’ll make lunch today.” “Great,” someone else would say, “I’ll make dinner.”

And so we managed to rotate the cooking and planning. It all seemed to be based on our own private work schedule. Writing might be going really well, and you might not want to break your rhythm. Magically, someone else is cooking. Or perhaps you find you need a break, need distraction, need time to think while chopping vegetables. Everyone else is happy to give you space and time in the kitchen.

Salcombe fulfills our grocery needs incredibly well. There is only one little grocer, Cranch’s, run by two lovely sisters. It is filled with local produce. Gorgeous fresh vegetables, different varieties of apples, fresh herbs. There are packaged local condiments from the Devon chili farm. There is local hand picked crab. The store also caters to exotic tastes. We are able to get Nam Pla and coconut milk, arborio rice and polenta. But Cranch’s is, at heart, a wonderful neighbourhood store. There is a wall of dried spices behind the counter and one day I asked if they had any bay leaves.  The owner looked up and said, “Yes, but there’s a huge bay tree around the corner. You can just go pick what you need there. I’ve got lots in my back yard too, but the tree around the corner is closer.”

Aside from the grocer’s, there is one butcher in Salcombe. It is a beautiful store, filled with local Devon pork, lamb, chicken and beef. The meat is exquisite, and the butcher is knowledgeable and helpful, supplying great cooking ideas. He also carries some of the finest Devon cheeses I have ever tasted.

Down the road is a beautiful bakery. The breads and buns are lovely and fluffy and fresh. The bakery also makes perfect little squares called Flap Jacks that we sometime indulge in for our afternoon tea. And next store to the bakery is a wine and liquor merchant where we can find wines from all over the world, in various price brackets.

All of these wonders are on the main street, two blocks from our cottage. We look for excuses to go down to the shops.

Salcombe, from the back

Entertaining company is a great excuse for shopping and cooking. And this week, we’ve had some very entertaining company to cook for.

Jan has a couple of friends in Canada who, on hearing she was going to be in Salcombe said “Oh, you must meet Denise Coffey.” Denise is a former actor and director, who spent time working in Canada. She is quite a legend in the UK, having acted in such classic films as “Waltz of the Toreadors” and “Georgie Girl”. In fact she discovered Salcombe when she was in Devon filming “Far From the Madding Crowd”. She has lived here for over 30 years and now spends most of her time painting and rescuing damaged seagulls and cats.

Denise, who now goes by the name of Moll, is a vegetarian and we’ve wanted to have her over for dinner. We had gone to see the new movie “The Most Exotic Marigold Hotel” and that put us in mind of Indian cooking. “Indian Ratatouille” requires a good supply of spices and patience to chop lots of veggies. But it is worth finding the ingredients. It’s a fabulous recipe.

We’ve learned from previous experience to bring spices with us when we travel. Otherwise we are buying new boxes and jars in every place we stay. Also, you can’t always expect to find Panch Phoran in your neighbourhood store, no matter how wonderful it is. You can’t always count on a neighbourhood Bay Laurel. So we came prepared, travelling with some of the more exotic spices.

Thank goodness we had packed our Panch Phoran. Moll was, I think, very impressed.

Tim, Moll, Jan and Jennifer in our Salcombe home

The other visitors that we had this week were Mal Peet and Elspeth Graham, the wonderful writer friends who we met last fall in Exmouth. It was really exciting to see them again and to take them on one of our favourite local walks to Snapes Point, through gently wooded areas and fields of gamboling lambs. The point overlooks one of the arms of the Salcombe Estuary and the millionaire’s cottages across the harbour. The church bells can still be heard chiming in the distance.

Snapes Point. Elspeth, Amanda, Mal and Tim

Jan, Jennifer, Tim and I all had a hand in putting together the dinner for Mal and Elspeth. The new tastes for us were Jan and Jennifer’s contributions. Jan made her fabulous Umeboshi salad. Umeboshi is a dried, pickled plum from Japan. Ume vinegar is salty and sour and Jan uses it in a Kale salad that we are all crazy for.

Jennifer made a delicious Pear and Ginger Crumble and served it with Salcombe Dairy ice cream. It was a fabulous night of eating, drinking, and sitting by the fire to talk about books, art and, of all things, the Canadian constitution.

We have been thrilled to discover the tastes and sounds, smells and sights of Devon, as well as to share some of our own favourite recipes with new friends.

Tim and gamboling lambs

Devon Coastal Paths, Part Two

On a recent Saturday walk we decided that we had sufficiently built up our thigh muscles to face  a tougher walk. The Hope Cove to Salcombe walk is on the south west side of the peninsula and we were told it had some rugged paths, with some degree of difficulty. The gauntlet was thrown.

There are very few busses in or out of Salcombe, so we had to coordinate our time carefully, taking a bus to the tiny nearby town of Malborough and then transferring to a bus to take us to Hope Cove.

At the heart of Malborough is the parish church, founded around 1200 AD. With its 13thcentury stone vaulted roof and a perfectly preserved pointed spire sitting atop a hill, it can been seen throughout the countryside. We waited outside the post office beside the church for our bus.

Tim waiting outside the Post Office for the bus.

Hope Cove sits nestled between Inner Hope and Outer Hope. (I am not making these names up. We had quite a debate as to where one would rather live – in Inner Hope or in Outer Hope.) Hope Cove was a favourite among smuggles, and the tiny cob cottages with thatched roofs made us feel we were in the midst of a novel.

The cob cottages of Inner Hope

A cottage being re-thatched in Inner Hope

Just off the cove is Burgh Island where there is a complete Art Deco hotel. The site is associated with Agatha Christie’s book “And Then There Were None” as well as the Hercule Poirot mystery “Evil Under the Sun” and many celebrities have stayed in the hotel over the years. We could only view it through a telephoto lens, unfortunately.

The Art Deco Burgh Island Hotel, "The Great White Palace"

We made our way out of Inner Hope and headed up toward the cliff, only to discover a group of 25 hikers, most a bit older than us, on the path. We raced ahead, knowing that it would be best to be in front, rather than behind the pack. They were stopping from time to time for guided information, but they were keeping a fair clip. The nation of walkers was showing us some of their best.

We burned our thighs up toward Wolf Rock and Bolt Tail, high above the water, crossing an Iron Age Fort embankment.

Amanda and Jan on Bolt Tail

We passed by lines of pre-historic standing stones, stretching out into the distance.

Standing rocks stretching into the distance

The path took us through Bolberry Down, a beautiful grazed area filled with sheep and new spring lambs. In 1760 a Spanish ship went down off the coast of Bolberry Down, killing 700 men. Another wreck. More lost hopes.

We made a pit stop at the one habitation on our route, Port Light, which is a small collection of buildings formerly a part of RAF Hope Cove. Asking about the road ahead, we were told that it was rough in places, that we had a section coming up with a lot of highs and lows but that after that things got flat. “Should take you about 3 hours,” the proprietor of the Port Light restaurant told us, eying our greying hair. “I do it in about 2 ½”.

After a few bites of apple and lovely Devon cheese, we set out with will and determination. From the high cliffs, the path led us down to the tiny beach at Soar Mill. Isolated and perfectly proportioned, it is a place to come back and spend a day lazing.

The beach at Soar Mill Cove

The path led us up again. The way was very steep and Jan was glad of her walking poles.

Jan hiking up the cliff

Jan, a bit foot sore

The high path took us through a field of lovely, friendly Shetland ponies with whom we shared the last bit of our apple. (I think they may have been “Sharptor Shetlands”)

Tim making a new friend

We huffed and puffed our way up to Bolt Head, the most southerly point of Devon. I clamboured out as far as I could go, well beyond Jan and Tim’s comfort level. I managed to take a picture of myself, on the edge.

Amanda on Bolt Head, the edge of Devon

The rocks were right behind my head. There was nothing between me and the ocean far below. I turned around to realize that I was alone and mildly terrified of going back down. I slide down gingerly on my backside.

We rounded the corner, dodging sheep, to look down on the green blue waters of Starehole Bay and the dramatic rocks of Sharp Tor. These are “metamorphic rocks”, rocks that have changed their nature through pressure or heat. They are incredibly dramatic formations that look like they have been squeezed out of the earth and are ready to fall on unsuspecting hikers below.

The rocks of Sharp Tor

We continued on toward Salcombe, past the small luxury hotels in South Sands, the enthusiastic dog beach at North Sands, past the million pound homes and cottages along the coast.

It had been a good 9 mile walk, and yes, took us about 3 hours to complete from Port Light. We ended the adventure with a bowl of crab bisque and a pint, in front of the fire at our favourite Salcombe pub, The Victoria Inn. The perfect place to massage weary feet.

A sheep blocks our path to Starehole Bay

Devon Coastal Paths, Part One

This is a nation of walkers. And the coastal paths of the National Trust are wonderful. They are varied, well marked and well used. Apparently between 50 – 100 million people visit the National Trust coast and countryside properties each year. The coastal paths circumnavigate the country, inspiring people of all capacities to get out and marvel at the beauty of “this scepter’d isle, This earth of majesty”.

We’ve been going on walks every day.  There are a number of good 4 – 5 mile hikes that we can take right from our doorstep. On Saturdays, we try to choose longer paths of 5 – 10 miles.

The Salcombe to Gara Rock hike began with a ferry ride across the harbor to the East Portlemouth side of the estuary. A paved road led us to the sandy beach of Mill Bay, a perfect, fine sand beach with a few bouncing dogs and children out enjoying the spring weather.

Mill Cove Bay

The path then began its ascent, taking us past Biddlehead Point, Sunny Cove and the Hipples until the headland turned and we faced the full force of the Atlantic. Historically, vigorous sea trade moved through these waters. For centuries, the mariner’s existence both contrasted and complimented the tranquil rural existence of the farmers. Unlike other rocky shores, the soil here is rich and arable. On the headland opposite, Deckler’s Cliff, we could see Bronze age field systems, clearly visible as earthworks under the soil. It is humbling to think that this land has been under cultivation for thousands of years, and it still retains its rural roots.

The Atlantic meets the green hills of Devon. If you look closely, you can see the lines of earthworks under the soil.

We negotiated paths up and down the cliff face past Great Abraham’s Hole and Little Abraham’s Hole to the lookout at Gara Rock. (Sometimes I think the best thing about these walks are the names.)

Gara Rock lookout

Just beyond Gara Rock is Moor Sand, where, in 1977, a cache of Bronze Age weapons was found. Archeologists believe that a ship want down here about 3,000 years ago. There has only ever been one other pre-historic wreck found in England.

The waters off these shores are treacherous. The Salcombe Canon wreck, also in this area, found coins and jewels from the 16th and 17th centuries, helping archeologists trace trade between England and Morocco. They think there is probably still a lot more to be found.

From Gara Rock we went down to the beach at Seacombe Sand, a perfect place for our packed picnic of delicious Salcombe Crab sandwiches.

Tim and Jan on Seacombe sand, looking for a perfect place to picnic.

But we didn’t dawdle, as it looked like a storm might be blowing up. We headed back through deep green leafy woods, a less steep, less dramatic path but one that offered an entirely different flora.

Huge trees on the inland path. Quite a contrast to the coastal path.

The path spilled us back at Mill Bay. The rain held off. I curled up with a rock for a back rest, Tim paddled about in barefeet at the water’s edge and Jan searched for perfect shells. The perfect end to a dramatic day.

The Rocks of Mill Bay.