Keeping Christmas

I have often wondered if we moved to the country because of Christmas.

The first winter that we lived in Brooke Valley, we went out into the woods with our three small children and cut down a very scraggly, Charlie Brown-ish tree. The snow came down in lazy, fat flakes as we brought our treasure into the house. We hung soggy mittens by the fire and cupped our hands around steaming mugs of hot chocolate. We were living in the middle of a Christmas card.

Since then, we’ve had as many green Christmases as white, some treacherous with ice, some grey and sodden. Our Christmas trees have always been naturally wild and wispy (“Your tree has great negative space,” said our most optimistic friend). Over the years, Lewis grew to be our primary tree finder and cutter. He took to enhancing nature by drilling holes in the trunk and inserting extra branches to fill out the shape. But whatever the shortcomings of the tree, the house has been filled with Christmas spirit – the smell of good food, the warmth of a fire, and days of laughter.

Last year was our first non-Canadian Christmas. We discovered new foods and new traditions in La Spezia, Italy. Sitting on a sun-drenched patio, drinking Prosecco while munching on delicious Italian cheeses and breads made up for the lack of snow, tree and fireplace. Funny, we didn’t miss any of the usual trappings.

But back home in Canada for Christmas this year, Tim & I dug out ornaments and fell into familiar patterns. Everything seemed all the more special for having been tucked away for 2 years. I carefully unwrapped the special, gold-rimmed Christmas glasses, purchased by my parents in New York over 50 years ago. Tim unrolled the felt advent calendar to find a few additional mouse holes along the edge. (The story of our mouse-chewed advent calendar is one he wrote as “The Mouse in the Manger”, many years ago. Sentiment keeps me from repairing the felt.)

Mouse eaten Advent Calendar
Mouse eaten Advent Calendar

Lewis set off to find a tree. We have 76 acres, and there are a lot to chose from, but finding something that works, a tree that is full and thick, is always a challenge. Determined to bring in something impressive, he felled a 35-foot spruce using only a dull cross cut saw. He cut off the top 10 feet and hefted it home the day before our first big snowfall.

Lewis and this year's tree
Lewis and this year’s tree

When the plate-sized flakes began to fall, we were surprisingly excited.

Nighttime snowfall in Brooke Valley
Nighttime snowfall in Brooke Valley

The first snow of the year was heavy and wet – perfect packing snow. Perfect snow lady material.

Amanda, Maddy & the Snow Lady
Amanda, Maddy & the Snow Lady

Over the next few days, the temperature dropped. As it did, the snow quality changed. There were smaller, lighter flakes, not good for packing at all. But we were assured of a white Christmas.

A White Christmas
A White Christmas

The unpredictability of the weather at this time of year can easily destroy festive plans, but luck was with us. Timing was perfect as family and friends arrived in various stages. But the snow accumulation grew and grew until eventually it was impassable. The day after Boxing Day, we abandoned all thoughts of driving and hunkered down to await the eventual arrival of snowplows.

Snowed in
Snowed in

There is a blissful and deep quiet that comes with a large snowfall.

And so we have once again celebrated the season in a Christmas card world. We’ve walked the snowy roads under moonlight and sighted Jupiter, shining brightly. We’ve filled the house with lights and familiar ornaments, and flamed the plum pudding. We’ve watched deer and ravens enjoying bits of composted leftovers. We’ve reveled in memories of Christmases gone by, and toasted absent friends. And we’ve boosted and fortified ourselves to be able to face the long cold winter ahead. As Dickens instructs, we’ll “keep Christmas in our hearts throughout the year”.

A Christmas Carol
A Christmas Carol

Author: Amanda West Lewis

AMANDA WEST LEWIS has built a life filled with words on the page and on the stage, combining careers as a writer, theatre director and calligrapher. Her book THESE ARE NOT THE WORDS was published in April 2022 by Groundwood Books. Previous books include The Pact, (Red Deer Press) which was listed on the 2017 USBBY Outstanding International Books List; selected for the 2017 ILA Young Adults' Readers Choice List; Nominated for 2017 Snow Willow Award; and listed in the Canadian Children's Book Centre Best Books for Kids & Teens, Spring 2017. SEPTEMBER 17: A NOVEL was nominated for the Silver Birch Award, the Red Cedar Award, and the Violet Downie IODE Award. Amanda has an MFA in Creative Writing for Children and Young Adults from Vermont College of Fine Arts. In her theatre career, Amanda is the founder of The Ottawa Children’s Theatre, where she teaches and directs children. She has developed specialized drama and literacy programs for youth at risk, and for children with autism spectrum disorder. She has a Certificate in Theatre for Young Audiences with Complex Difficulties from Rose Bruford College, England. In 2015, Amanda co-produced the hit play “Up to Low” is based on the book by Brian Doyle. As a professional calligrapher and book artist, Amanda is passionate about the history of writing and has taught calligraphy courses to students of all ages. She studied with Hermann Zapf, Mark Van Stone and Nancy Culmone among many others. Amanda lives with her husband, writer Tim Wynne-Jones, in the woods in Eastern Ontario. They have three wonderful grown children. Find out more on her website at http://www.amandawestlewis.com/ Photo Credit: Marianne Duval

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