Being Thankful

Classes started up again at The Ottawa Children’s Theatre last weekend. Teaching drama virtually is, for me, a constant challenge, both technologically and conceptually. I definitely miss our beautiful studios at Carleton Dominion Chalmers (check the profile of me and OCT at CDCC) But it is wonderful to have the opportunity to meet vibrant and thoughtful adolescents, and to get a glimpse into what the world looks like from their perspective. And the only way I can do that right now is through Zoom boxes.
 
My online drama classes have different rules from online schooling. I keep reminding students to keep their microphones ON, instead of muted. I WANT to hear their voices and make some noise! I WANT their unique contributions. I WANT them up on their feet, bursting with energy.
 
I’ve been searching out new materials that will work well in this format: group poems, where everyone can take a line and pauses don’t destroy the flow; neutral paired scenes, where students can work in Breakout Rooms to create characters and scenarios; treating each box like its own stage, with proscenium edges for entrances and exits. I’m also discovering ways of teaching drama skills that I wouldn’t do in a studio. Small movements become magnified on camera and they create moments of truth and honesty that do my heart good.

 Someone said to me recently that the most important thing about the pandemic is what you can learn about yourself. That’s certainly my case. It’s a rich time. Working with my wonderful drama students helps me to reflect and articulate what I am discovering about myself. I hope the classes do that for my students as well. As I look forward to a Thanksgiving like no other, I am grateful to be in such a caring and supportive community.

In My Zoom Studio
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Author: Amanda West Lewis

Amanda West Lewis combines careers as a writer, theatre creator, calligrapher, and teaching artist. She is the author of nine books for youth and young readers, including "Focus Click Wind," a novel about youth activism in 1968, and "These Are Not the Words," a semi-autobiographical novel about the jazz era and growing up in New York City. Her novels have been nominated for the Geoffrey Bilson Award for Historical Fiction, the Silver Birch Award, the Red Cedar Award and the Violet Downey IODE Award. Her recent collection book "A Planet is a Poem" has received a EUREKA! 2024 Excellence in Children’s Non-Fiction Award, is a California Reading Association HONOR BOOK, a NCTE Notable Poetry Book and a Cybils Award nominee 2024. She has an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. In her theatre career, Amanda has acted, directed, produced, and written for theatre, as well as founded The Ottawa Children’s Theatre, a school dedicated to theatre education for young people. A freelance calligrapher for over 20 years, her calligraphic artwork has been exhibited in numerous shows and she has written books on calligraphy and the development of writing. Born in New York City, Amanda moved with her mother to Toronto, Canada as a teenager. She now lives with her husband, writer Tim Wynne-Jones, in the woods near Perth, Ontario, where they raised their three children.

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