Time or Tide

Travel is the domain of the imagination, and when you arrive it is as though your imagination has taken concrete shape around you.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time
T.S. Eliot

The miracle of travel is something I don’t want to take as commonplace ever again. It is miraculous. In a relatively short amount of time I have journeyed to another world, a world both foreign and familiar.

Because of the impossibility of travel during the pandemic, it feels as though I have slipped into a place that only existed in my imagination for the past three years. Travel is the domain of the imagination, and when you arrive it is as though your imagination has taken concrete shape around you. I’ve read enough quantum theory this year to know that this is probably true, but this is the first time it feels true.

What I’ve found in this new world, whether it has sprung from my imagination or not, is that we have been on parallel paths for these past three years. We share commonalities of our experiences in a way that we’ve never done before. Different sides of the planet, with different political forces, yet we’ve been experiencing the same trauma. It’s made me feel closer than ever with family and friends as we share our experiences, our losses, our scars, our small victories. Our histories, which previously had been different, are now the same.

No doubt it is a unique moment. This will pass. But I don’t want to ever take for granted the good fortune that has allowed me to be here, experiencing the rawness of the pandemic experience. The shared humanity on the streets is the legacy of our survival.

And so we celebrate. We arrived in time for a double birthday party for Bryan and me, shared with Robbie Burns. A Burns night complete with Haggis, neeps and tatties, (turnips and potatoes), and Cranachan (an amazing dessert of toasted oats, whipping cream, raspberries and a glug of whisky). We don’t party as if there is no tomorrow, but because there was yesterday.

I feel as though the needle on the record skipped. I am birthday years older. But I’ve picked up the needle and placed it down again carefully, ready to start again.

Nae man can tether time or tide.
Robert Burns

Author: Amanda West Lewis

AMANDA WEST LEWIS has built a life filled with words on the page and on the stage, combining careers as a writer, theatre director and calligrapher. Her book THESE ARE NOT THE WORDS was published in April 2022 by Groundwood Books. Previous books include The Pact, (Red Deer Press) which was listed on the 2017 USBBY Outstanding International Books List; selected for the 2017 ILA Young Adults' Readers Choice List; Nominated for 2017 Snow Willow Award; and listed in the Canadian Children's Book Centre Best Books for Kids & Teens, Spring 2017. SEPTEMBER 17: A NOVEL was nominated for the Silver Birch Award, the Red Cedar Award, and the Violet Downie IODE Award. Amanda has an MFA in Creative Writing for Children and Young Adults from Vermont College of Fine Arts. In her theatre career, Amanda is the founder of The Ottawa Children’s Theatre, where she teaches and directs children. She has developed specialized drama and literacy programs for youth at risk, and for children with autism spectrum disorder. She has a Certificate in Theatre for Young Audiences with Complex Difficulties from Rose Bruford College, England. In 2015, Amanda co-produced the hit play “Up to Low” is based on the book by Brian Doyle. As a professional calligrapher and book artist, Amanda is passionate about the history of writing and has taught calligraphy courses to students of all ages. She studied with Hermann Zapf, Mark Van Stone and Nancy Culmone among many others. Amanda lives with her husband, writer Tim Wynne-Jones, in the woods in Eastern Ontario. They have three wonderful grown children. Find out more on her website at http://www.amandawestlewis.com/ Photo Credit: Marianne Duval

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