Shifting

…the end of this year’s summer cycle opens the way for other kinds of adventures…

a desk with open computer, books, files and teacup.

The season is shifting. I swear there’s an olfactory closet in my brain that holds onto the smell of sharpened pencils. There’s a door that opens as the days grow shorter and the nights have a tinge of crisp apple in the air.

Everyone I have spoken to can’t believe how quickly this summer has gone. Is it the news cycle? Is it the weather patterns? Or is it, as I’d like to think, a renewed embracing of all of the good things in our lives: the long, storied evenings with friends and families; crickets and barred owls keeping you company during late night barbecues; the splashing, diving and cannonballing off docks with squealing children; the fresh, local produce (oh, the heavenly smell of Ontario peaches!); rainstorms that send you racing to the nearest couch with a juicy summer read; clear nights when the moon reflects over still waters; work emails that are ignored for days, because you know everyone else is out of the office and really, what is the point?

The moon rising and reflecting on a lake.
Mid August. Ten p.m. on a northern lake.

As with every year at this time, I look around my garden and see endless unfinished projects. My springtime optimism has been swallowed by the reality of cucumbers that didn’t grow, tomatoes that blighted early, kale gobbled by caterpillars. But then there was the garden magic –– purple beans that climbed eight feet to the sky. I swear they would have kept going up to the giant’s castle! Defeat and celebration go hand in hand in a garden.

A very tall bean plant in a garden
My purple bean tree took off. Much too tall for me to reach the beans at the top.
A basket of picked purple string beans.
A bountiful crop of purple beans, if nothing else.

But the end of this year’s summer cycle opens the way for other kinds of adventures. I can’t help but be excited as the earth’s orbit takes us into fall. My brain suddenly picks up speed and starts to race. Shiny new ideas jostle for attention alongside projects left percolating. Has it really been three months since I opened that file?

An open computer, books, tea cup, files. A desktop.
My desktop on Labour Day. A day to get back to work.

Somewhere in all of the riotous joy of this past summer I launched a new book, Looking at the Sky: How Janusz Korczak Fought for Children’s Rights. I loved the readings and speaking events that I did. But being summer, many people were away and I didn’t devote as much time to the book as I normally would. It felt more like a dress rehearsal than an opening night.

That’s another reason why fall feels redolent with opportunity. It can be a re-set, a re-engagement, a re-launch.

So, I’m excited to dive into a fall when I can dedicate focussed time on Looking at the Sky, as well as new projects. It’s a book that I love more with each reading. A book that tells a story of hope and respect.

The world needs the words of Janusz Korczak now, more than ever. I look forward to sharing his story with you online and in-person.

Book cover of 'Looking at the Sky: How Dr. Janusz Korczak Fought for Children's Rights', featuring an illustration of a man and a boy looking up at the sky.
Looking at the Sky: How Dr. Janusz Korczak Fought for Children’s Rights, written by Amanda West Lewis, illustrated by Abigail Rajunov, Published by Kids Can Press
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Author: Amanda West Lewis

Amanda West Lewis combines careers as a writer, theatre creator, calligrapher, and teaching artist. She is the author of nine books for youth and young readers, including "Focus Click Wind," a novel about youth activism in 1968, and "These Are Not the Words," a semi-autobiographical novel about the jazz era and growing up in New York City. Her novels have been nominated for the Geoffrey Bilson Award for Historical Fiction, the Silver Birch Award, the Red Cedar Award and the Violet Downey IODE Award. Her recent collection book "A Planet is a Poem" has received a EUREKA! 2024 Excellence in Children’s Non-Fiction Award, is a California Reading Association HONOR BOOK, a NCTE Notable Poetry Book and a Cybils Award nominee 2024. She has an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. In her theatre career, Amanda has acted, directed, produced, and written for theatre, as well as founded The Ottawa Children’s Theatre, a school dedicated to theatre education for young people. A freelance calligrapher for over 20 years, her calligraphic artwork has been exhibited in numerous shows and she has written books on calligraphy and the development of writing. Born in New York City, Amanda moved with her mother to Toronto, Canada as a teenager. She now lives with her husband, writer Tim Wynne-Jones, in the woods near Perth, Ontario, where they raised their three children.

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